Colloquy: issue twenty-two

NB all hyperlinks download as PDFs.

Front matter

Contents

General editorial

General Article

Fearful Symmetry: Technophilia and the Science Fiction Cyborg in J. G. Ballard’s and David Cronenberg’s Crash Sean McQueen

Collaborations in Modern and Postmodern Visual Art

Introduction: Love and Pain and the Whole Damn Thing: Collaboration as Biography Janine Burke

Collaborations in Modern and Postmodern Visual Art: An Overview Lynda Chapple

Retrospective Lyndell Brown and Charles Green

Two Homes Kate Daw and Stewart Russell

“There must be a salon of realists…”: Action and Collaboration in Edgar Degas’ Avant-gardism Roberta Crisci-Richardson

Monet’s “Angel”: The Artistic Partnership of Claude Monet and Blanche Hoschedé-Monet  Janine Burke

Picasso and Stravinsky: Notes on the Road from Friendship to Collaboration Carina Nandlal

The Spirit of Collaboration: Gino Severini, Jacques Maritain, Anton Luigi Gajoni and the Roman Mosaicists  Justine Grace

From Tenth Street to Studio 54: On the Social Life of Creatives Eduardo de la Fuente

Combination, Collaboration and Creation: The Case of Jasper Johns Peter Murphy

Human and Non-Human Telepathic Collaborations from Fluxus to Now Jacquelene Drinkall

A Collaborative Effort: How Collaboration and Collectivism in Australia in the Seventies Helped Transform Art into the Contemporary Era Susan Rothnie

Performance Art Collaborations (with Notes on Video, Installation and Conceptual Art) Anne Marsh

The Emergence of Black Art in Britain Leslie Morgan

Artistic Tension Adrian Martin

Working (with) the Dead: Agency and its Absence in the Use of the Found Image Andrew Dearman

Meridians: Engagement and Collaboration in Physical and Virtual Public Space Clare Leporati

Collaborative Viewpoints: The Writing of Impossible Descriptions Ann Schilo and Anna Sabadini

Translation

Three Spanish Golden Age Sonnets  Jorge Salavert